In this project, I define a disappearing culture as a community whose traditions such as rituals, tool use, celebrations, and recipes, as well as its way of life, social structures, or ancestral lands, are under threat. These losses often stem from globalization, climate change, forced displacement, or the lack of transmission of knowledge to younger generations.

I conduct research through books and archives that can be found on Google Books and local bookstores. I also rely on local fixers who are native to the places I photograph to make sure the representation is accurate and truly reflective of the local community. The local fixer is also important to serve as my translator when there’s language barrier.

Disappearing Cultures is funded entirely out of my own pocket. The urgency of this documentary cannot wait for approval from funding authorities. Fortunately, I have been able to leverage a strong social following to secure media campaigns on Instagram, working with brands such as Xiaomi Mobile, Huawei Mobile, and the Singapore Tourism Board to help replenish the fund pool.

As a Millennial photographer, I grew up reading National Geographic, Life and studying major photography books by esteemed photographers such as Joey Lawrence, Steve McCurry, and Helmut Newton. It is therefore a natural aspiration for me to consolidate a decade of work documenting disappearing cultures across Asia into a comprehensive photo book, accompanied by exhibitions staged worldwide. I also reflect on whether there are ways I could contribute over time to supporting certain disappearing cultures through sustainable livelihoods and responsible tourism.

Photographing Disappearing Cultures across Asia comes with logistical challenges, including travel costs and the need to adapt quickly to unfamiliar environments. Often, these places lack comfortable accommodations or stable internet access. However, these are not the greatest difficulties. The most challenging part lies in distributing the mission of the project and the stories I have collected. In an age of information overload, where content is increasingly bite sized and trend driven, I have to continually find ways to preserve the integrity and authenticity of the stories being told.

Trust has to be earned! Before photographing a story, I explain my intentions clearly. I show the people I work with photographs I have taken before, and also share photographs as I make them, making sure they are comfortable with how they are portrayed. Having the sensitivity to read the room, and the respect to step back when consent is not given, is a fundamental part of how I approach documentary photography.